New Work at Faculty Show

Check out two interactive pieces and a music video - all new- at the Faculty Exhibition.

Hope to see you at the reception on April 8th from 6-8!  The show is up from now until May 29th.

Belated Totals from Manifest 2011

Approximately 120 participants commemorated Iraqi Widows with 13,989 lines drawn in grids, pictures and messages on a chalkboard, two large panels and the asphalt at Manifest 2011.

Widowsweave at Maninfest

Artistactivist Presents: Widowsweave will be present at Manifest
May 13th Noon-7 900 South Wabash - Outside
Add your mark - Draw chalk lines for Iraq's widows - on chalk boards and on the pavement.
Join Kevin in this Widowsweave event.

Artistactivist Fundraiser

 

All are welcome at Artistactivist fundraiser this Sunday.

Fundraiser Set

Artisactivist, Valentine's not-for-profit will be holing its first Fundraiser at Work Studio in Chicago on April 3rd.  Please come and support the artist's efforts to raise awareness of the conditions of Iraqi widows.

Lines in the Sand: 20th Anniversary of Gulf War on MLK Day

Alyssa and I went out on North Montrose Beach in the freezing rain as drew 2000 lines in the sand for the 20th anniversary of the Gulf War.  After a year and a half of performances, and such a long gap since my last performance, I found that I was thinking more about the project and its efficacy as activism and art than about the widows themselves.  I think that I need to keep with my vision of engaging community in this project or it will become just a counting exercise.

2000 lines

 Ice formations

 January 17th Commemoration

 Lines in sand-on-snow-on-sand

 Like sentinals

Low Estimate was exhibited at the Iraq History Project Arts Festival at Depaul University in Chicago.  This panel consists of over 118,000 circles painted to represent the United Nations low estimate of 500,000 child deaths related to sanctions against Iraq.  The remaining memorial circles will be painted on additional panels.  This panel could not accommodate all 500,000 due to drying time of the acrylic paint and date of the exhibit.  There are 15-20 or more layers of tightly overlapped circles and spirals on this panel covering evidence of earlier circles, patterns and designs.  We cannot see all 118,000 simultaneously. Their inscription is obliterated by new layers,  creating a thick mottled textured panel of irregular thickness in an oily gloss.
The festival included a panel discussion on activist art, and one which included two attorneys for Guantanamo detainees. Earlier in the week, I joined two other artists in a panel discussion discussing our work related to Iraq.  There were a total of 17 artists involved in the Art Festival, all responding to the Iraq History Project's archive of testimony by perpetrators, victims and witnesses of torture in Iraq from 1968-2008.
I chose to respond to Law Law's story which involved her recording names and deaths at her family home, as they helped bury children who died around the time of the Anfal campaign in the late eighties.  When still a school girl, she was able to orchestrate the reuniting of a father and son who were able to escape the country.  This was before the sanctions, or around the time the sanctions began.  My piece continues her work of documenting the deaths of children with a series of memorial paintings.
(The UN high estimate is 1.2 million)